How does one visualise an amorphous idea, one that has become abstract to the point of obscurity? Landscape, real and imagined, provides the backdrop for a visual narrative, while sound, intertwined with a self-narrated monologue, adds a third dimension to this specific portrayal. Newsha Tavakolian is detached from the real world and yet achingly affected by it. A scene from a short film “For the Sake of Calmness” by Newsha Tavakolian.

Kako se vizualizira amorfna ideja, ona koja je postala apstraktna do tačke nejasnoće? Pejzaž, stvaran i zamišljen, pruža pozadinu za vizualnu naraciju, dok zvuk, isprepleten sa samopripovijedanim monologom, dodaje treću dimenziju ovom specifičnom prikazu. Newsha Tavakolian je odvojena od stvarnog svijeta, a ipak duboko pogođena njime. Scena iz kratkog filma “Radi smirenosti”, Newsha Tavakolian.